Epiphone casino action height

epiphone casino action height

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Epiphone Casino Action Height Video

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As soon as I picked it up, I noticed the neck is fat and fills my whole hand I am a fan of fat necks. I have no complaints at all. I swear if you didn't see the name on this guitar, you wouldn't know the difference. Kein Vergleich etwa mit meiner Les Paul, die wirkt dagegen wie ein Vorschlaghammmer. This is the case for this guitar. This is a holdover from the days when.

A pickup north up counterclockwise coil will give a positive signal, a pickup north up clockwise will give a negative signal.

If you combine two pickups and run them at the same time and one has a negative signal and the other has positive they will be out of phase and the signal will cancel itself out.

In order to sound best both pickups need to have the same phasing. But, if you were to reverse the leads and make the hot lead the inside wire on a vintage fender and it did short out against the pole piece, by touching the pole piece and the strings at the same time you will loose signal—it will short circuit.

On teles, the metal plate on the bottom of the bridge pickup is connected to the black lead wire and grounds your strings, also the cover on the neck pickup is connected to its black wire which grounds the cover and helps provide some shielding.

This is the same problem with Gibson humbuckers that have vintage lead wire—;the covers are attached to the braided shield which is also attached to the coil.

The solution on buckers is to use 4 conductor wire with a separate shield so you can reverse your lead wires separate from the shield wire.

On teles you have to add a separate wire that only connects to the cover or the metal base plate—;a three wire system that isolates the lead wires on the coil from the pickup cover.

You also need these separate ground wires on at least one of the pickups if you are going to wire the pickups in series with a 4 way Tele switch.

Normally the third wire is added to the neck pickup. Resistance is cut in half when you wire two pickups in parallel and inductance drops—this makes output and bass decrease, resistance doubles when two pickups are wired in series and inductance rises.

This is normal and is the reason your strings are grounded—to eliminate cycle hum when you touch the strings. You most likely have the output jack wired backwards.

Your hot lead is attached to the ground lug on the jack which causes a similar sound as if you touched the tip of the guitar cord when you have it plugged into an amp.

Reverse both connections on the jack and the problem should be resolved. This is due to the pickguard not being grounded and also happens on other guitars like archtops with pickups attached to the pickguard.

Plastic gives off electrons as your body contacts it. This causes a static charge to build up and discharge through the strings and the pickup cover.

This problem can get worse in the winter when the air is dryer from heating. You can temporarily alleviate the problem by wiping down the pickguard with an anti-static towel like you use in a dryer, or you can hook up a ground wire to the back of the pickguard and solder it to the back of a pot or any other ground point.

This will also happen with certain finishes like metallics, Gibson goldtops, or polyesters urethane. For Gibson type wiring use the 57 Les Paul custom wiring schematic included in the installation instructions or on my website.

You can adapt this to fenders with a little creative adjustment. I do not recommend using a volume bypass capacitor.

Treble bypass caps roll off the bass and accent the treble as soon as you roll off the volume. The more you roll off the more it sounds like you are playing through a little tin can.

This scheme can also degrade the bass and volume when the volume is all the way up if it is leaking. I have had many times where someone called me commenting the pickups sound trebly and weak.

Once they got rid of the volume bypass cap the pickups sounded fuller and stronger to an amazing extent. I recommend that you never use that, instead put a smaller tone cap on—fenders use.

To order a matched set of pickups you just go to the pickup page—click on the pickup and it will take you to a shopping cart. I did some testing on what makes a Tele sound like a Tele and how well a similar base plate would work on a Strat pickup.

I made a Tele pickup and 2 Strat pickups with the same size and type of magnet same coil height and the same turn count.

I put steel base plates on the Tele and one of the Strat pickups and left the other Strat pickup bare. I have two Strats that are as close to identical as you can get and they have matched pots—both guitars have pots and caps that read the same.

I put one of each type of Strat pickup in each of the guitars. I could hear the tiniest bit of difference but the other people listening did not hear it.

The base plate seemed to add the slightest amount of compression I could "sense. There was no difference in volume between the two. I installed the Tele pickup into a traditional Tele bridge and mounted it on a Tele with pots and caps that matched the Strats.

Most noticeable was the volume boost. I have also made Tele pickups without the base plate—they have a little less up front aggressiveness.

If you measure a Strat coil lets take one at 2 henries for example and you put a steel plate on the bottom the inductance will raise to approximately 2.

So you can measure that something is actually happening, but it is hard to hear the difference and I have pretty good ears. After this I decided not to recommend a base plate on Strats.

All new pickups come with the appropriate installation hardware. For most pickups, this includes screws and height-adjustment screws. Look underneath the bottom layer of foam of your pickup case.

There is a wiring diagram on the inside of the folded warranty insert. You can also go to this page on our web site: Anytime you wire two pickups in parallel and use them together you get some drop in volume and bass.

That depends a little from pickup to pickup. Go a little closer for the high e, and a little further for the low e. Humbuckers work well when you adjust them as close to the strings as possible, without any string interference.

Remember, all of these are starting points. The next step is purely up to you. Take time to listen and tweak until you have the pickups set up where they sound best to you.

You can watch a video here providing instructions on how to adjust your pickups. In most cases, we recommend using K pots for Lollar Imperials and for P style pickups.

For Jazz bass style use K. We sell Emerson Pots on our Accessories page. A lot has to do with personal preference, your music style, and the sound you are aiming for.

A higher value pot. A lesser value pot 0. We sell Emerson Caps on our Accessories page. Yes, in many cases some routing is involved.

The Epiphone Casino and also the Wildcat is a "whole different animal" although it looks a lot like a standard dogear set.

On a Casino set we re-use both the covers and the chassis. We basically "gut" the pickup and build a new p90 into what you send us.

Also, some of them were originally built with a clip type connector usually white on the lead wire. Make sure to include this as well. Also make sure to include your contact information.

Turnaround time is around a week after we receive your items. There are a number of items we build that are not yet in our shopping section.

If that is your situation, just write what you want in the "comments" field. When you place an order a computer does not automatically charge your card.

Often, I will loosen the strings so that they still make reasonable contact with the saddles — thus allowing the wheels to be turned much more easily.

It is a very nice guitar to the hands, and I have no issues about placing the bridge. But, I absolutely do have an issue with the ACH pickups.

Probably upgrade the pots and caps at the same time. Anybody with experience on this combo? I have used a set of Gibson P94s same type of pickup, just a little warmer … they sounded much bluesier!

The switch on all of mine were the little box switch, but were actually really good. Very happy with that. The factory jacks tend to be pretty strong on these.

Where I am very pleased about this guitar, except some problems I experienced with the bridge, the pickups are a little bit too shy and muddy when playing more complex chords, which results in sinking away in the mix while rehearsing or gigging.

What a great pickup. The original switch is pretty good in the AF75s, as is the jack. I am the happy owner of an AF and have been thinking about changing pups — and maybe also change pots.

I have actually thought about that… Once you discover the secret of how to re-wire a closed hollow-body guitar, it actually ends up being a pretty neat thing to know how to do.

Thank you for writing. I use the AF75 with the original hardware and like it very much. Lately, another problem cropped up on the guitar that is causing me loads of frustration..

The buzz begins when I start playing on the fifth fret and above. Is it correct to assume that if I raise the bridge ever so slightly on the treble side, this may help eliminate the buzz on the treble side which includes the third string?

Jim, thank you for any help that you offer in this regard. Well, funny you mention it, I too have some trouble with the action. I have a low action which makes playing very confortable, but sometimes, and yes, more with g string, it touches the frets making that noise.

I like to play with intensity, I come from classical school as well and the problem is bigger the harder we play.

It is always a compromise action-confort, and that would be one reason to change for the epiphone…although I just played the epiphone for some minutes, and I am not very sure yet.

A few different setup things can cause buzzing when you start working up the fretboard towards the bridge… The easiest solution is often to bring bridge up, as you said.

Generally, bringing up the treble side as you indicated will often do the trick. I like to turn a quarter turn, test, if not fixed, do another quarter turn and so on.

Please remember, this is very high-level advice — there are lots of guides to guitar set-up that are more experienced than my writings, and more in-depth by more experienced technicians… You can use YouTube for some guides, or go over to Stew Mac has lots of good guides and videos, opens new window.

This can happen when a given fret wire or set of fret wires is taller than other fret wires on the neck. If this is the case, most often, the best fix is a good guitar technician.

For those who are inclined to tinker or feel OK about working the more advanced aspects of their guitars, you can level the given frets with a flat-plane fret file, fret leveler, or other technique.

In this case, the frets can be re-seated with a fret pressing caul, fret hammering caul or other fret seating tools. In some cases, the neck profile might be off.

In this case, the neck might be bowed upward. In this case, the neck profile might be adjusted to provide a more level fretting surface.

Sight down the fretboard and see if it is curved up towards the middle or down towards the middle. Sometimes, this is due to a nut issue. String nuts are simple yet complex beasts: Yet other times, the nut must be re-worked or replaced.

Even nice expensive guitars get out of the factory with nut problems sometimes. Always proceed very gently and very slowly and a little at a time when working on a nut.

Hi, very good review, thanks for sharing. I have one too and I am reluctant to sell it and buy an epiphone emperor II. I like much more the touch of the epiphone, although I am not sure about the sound.

I play fingerstyle and with pick, mostly in a classic jazz way joe pass, montgomery, also latin. I have read that Joe Starr made the opposite change, it kind of got me even more confuse…How would you compare these two guitars?

I love my hollowbodies and semi-hollowbodies. When you compare manufacturers and models, it is almost always an orange-apple comparison.

An Emperor, like a Swingster or Joe Pass, is a nice jazz box with the appeal of the Epiphone neck and electronics.

The pickups are a good part of the sound of these, as is the neck attachment and joint. The AF is warmer and boomier in lots of ways, but also has more vintage-y pickups and electronics.

The Epis have much stronger humbuckers, a better switch and jack, and are heavier in their wood components. If I were restricted to one guitar, I would personally go for the sound.

Thanks for the quick answer, Jim. I will resist selling it. Both have lots of things to value… The resale value on the Ibanezs is not what it should be.

I have my two AFs an orange as in this article, and a TG in ivory. At the top level, there are at least three major types of non-solid-bodied guitars and basses.

No substantial center block is present. The guitar may have F-holes, but may not. These guitars, in general, have a much more mellow and woody tone than the other to major types of hollowed bodies.

The Ibanez AFD is a true hollowbody. The Emperor, such as the Emperor Swingster is also a hollowbody. The differences in the sound are central around body open-ness, electronics, neck placement and attachment.

These guitars are generally brighter sounding and heavier than true hollowbodies. Often, these guitars are also crunchier when overdriven or distorted.

Again, these might or might not have F-holes. These are even brighter and have even more sustain than their cousins. I recently purchased the Ibanez LGB I plan on returning it for a used Ibanez af75 vintage sunburst that I found for a killer price.

The af75 is the version and to me is built better and more solid than both the newer af75s as well as the LGB The LGB30 has a low quality cheap feel to it.

The look of it is outstanding but the feel and workmanship has a low budget quality it. The model af75 feels more on the the level of my two vintage Ibanez arch tops from the 70s, well built and solid with good resonance.

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